Thursday, April 16th

• Stephane Letz: What's new in JACK2?
• Juuso Alasuutari: LASH Audio Session Handler: Past, Present, Future
  
• Jörn Nettingsmeier: Shake, Rattle and Roll and the microphone data file
• Jan Jacob Hofmann and Steven Yi: Crafting Sound in Space
  
• Pau Arumi, Natanael Olaiz, Toni Mateos, David Garcia: 3D audio with CLAM and Blender's Game Engine
• Michael Chapman: Ambsuite/Ambman: A utility for transforming Ambisonic files

Friday, April 17th

• Giso Grimm, Tobias Herzke, Volker Hohmann: Application of Linux Audio in Hearing Aid Research
• Simone Campanini, Angelo Farina: A new Audacity feature: room objective acoustical parameters calculation module
  
• John ffitch, Richard Dobson, Russell Bradford: The Imperative of High-Performance Audio Computing
• Yann Orlarey, Stephane Letz, Dominique Fober: Automatic Parallelization of Faust Code
• Maurizio De Cecco, Francois Dechelle, Enzo Maggi: jMax Phoenix: le jMax nouveau est arrive
• Hans Wilmers: Bowsense - a minimalistic Approach to Wireless Motion Sensing
• Christophe Daudin: The Guido Engine: A toolbox for music scores rendering
• Fernando Lopez-Lezcano: The Quest for Noiseless Computers

Saturday, April 18th

• Jürgen Reuter: Considering Transient Effect in Spectrum Analysis
• Free Ekanayaka, Daniel James: Transmission - Linux Audio goes Mobile
• John ffitch: Keynote speech
• IOhannes Zmölnig: Reflection in PureData
• Albert Gräf: Signal Processing in the Pure Programming language
• Victor Lazzarini: A Distortion Synthesis Tutorial (archive with presentation and data files)
• Hans Fugal: Optimizing the Constant-Q Transform in Octave
• Torben Hohn, Alexander Carot, Christian Werner: Netjack - remote music collaboration with electronic sequencers on the Internet

Sunday, April 19th

• Richard Spindler: The Current State of Linux Video Production Software and its Developer Community
• Ilias Anagnostopoulos: Web-based Collaborative Sound Synthesis System (no slides, Website only: http://otherside.servebeer.com/otherside/
• Martin Rumori: GROMA - Programming a permanent multichannel sound installation